Western drawing by the visual physiology intuition feeling, through the colorand the modelling, directly moves to the objective picture the canvasto come up, many naturalism color. Therefore does not discuss to开光 the shade color Western drawing. 塞尚 once like this described for theemphasis color in the drawing vital role: "The color is the greatessential thing, is the various ideas the mortal body, in the rationalvarious essences."

The Chinese drawing is different which with the western mainstreamdrawing has the extremely profound humanities characteristic.
Long ago in order to the recognition and the western drawing essencewas different in the traditional Chinese painting creation, as well astwo sides drawing in the mentality difference, Zhang Weiming besideshave greatly gotten down the picture merit of tutelage, also went tothe Shandong art academy oil painting specialized earnest relievedstudy west drawing mainstream picture to plant. He in sketch, oilpainting and so on curriculum not few under times. Except the exerciseand the creation, he has drawn the massive oil paintings sketch stepchart and on hundred kind of different environmental conditions andits the light discoloration chart, own obtained the color practice.

Perhaps Zhang Weiming inborn is, his color feeling which lives for thedrawing keen, the sketch grasps accurately, the expression strength isstrong. Adds on the entire body and mind the investment with to studyhard, the harvest is very big. In addition, this process also may usein he to study the western drawing and the theory in the ponder under,his class attends class earnest invests. In is extracurricular, hewent to the library which the provincial capital various institutesand could go massively to glance through the correlation books and thepicture album.

At that time was precisely the entrance to a country just opens,artistic circles responsibly profited from the western modern drawingthe time.

Zhang Weiming realizes the tidal current in advance in the field thefront, regarding the present prior art, carried on the ponder withindividual artistic creation with to measure. Simultaneously he hasattacked the conservatism narrowness by the intense word language. Nowlooked like at that time the extreme behavior condition inflation, hascaused malpractice and so on indiscriminate westernization, but, wasprecisely because at that time radical tidal current impact, only thencould give a generation of painter to open up the sight in the thoughtdomain, released for flight the mentality. Most main or goes out afterthe tradition, causes Zhang Weiming this age section a generation ofpicture person henceforth in front of the achievements China paintingworld the institute not had had individuality breakthrough.

Therefore, the Chinese tradition drawing after has undergone a bigearthquake, silenced.

After at that time the traditional Chinese painting on does not paceback and forth in a dangerous intersection front. Overall Western drawing, theextension remains for the strange dispirited incredible behaviorperformance, and hung up the artistic advertisement, America has givena name said behavior art, only still had extremely few people to nownot to save in this always enjoys.

The traditional Chinese painting short-term lost large quantities ofcauses one still for to be young, the thought ability extremely haddives the archery target painters in the China and the West drawing,and traditional drawing and in modern drawing analysis, worriedlyalone contest. Zhang Weiming thought in the pain gave up pesteringwhich that impetuous state of mind and distinguished thinks. He sankthe Chinese philosophy research and the experience. In several yearshe is investing the Eastern philosophy tutelage imperial sacrifices tobecome aware with all one's strength gets by.

Some speech said good, is not died in the silence, is explodes in thesilence. When Zhang Weiming obtains the Confucian, releases, the road,the principle time, the various families sage theory deeply teaches itto awaken greatly, was meeting the Taiwan Province Imperial Palacemuseum the traditional Chinese painting which conducted in themainland ancient times the famous expert celebrated work simulation tounfold. Zhang Weiming stood in front of the large famous ancient timesmaster's work the mental block opens suddenly. He lifts the paintbrush at the same time also is date of once more the traditionalChinese painting once more revival.

May say the traditional Chinese painting breaking through issuccessful. At present settles on the country painting world althoughhas part of people already trends in under the market economy impact"the money" the regulation. The picture is not good, tightly 炒作,greatly publicizes. Also some part of people only lower the head paintpictures, thought the picture only has the picture also, fearedchanged impetuously, because sealed up for a long time oneself createsthe field of vision narrowly, the thought was spatial, picture 匠气.Actually, two all is the two-pole superficial trend. Zhang Weiming hasnot moved towards these two extremes. He passes through these yearspractice in the spirit and the drawing technique, can use the matureunderstanding to treat the objective things.

At that time Zhang Weiming once to came reporter which interviewed tosay that, "A painter is cannot seal up in this time own, if does notgo out, he." He therefore widely meets hands over the persons from allwalks of life, regardless of is religious circles, artistic circles,science and technology education, trade, political circle and so on,crosswise, longitudinal, he all does not resist the intercourse.Exchanges various aspects content with this square public figure. Andoutside ascends the zero others from drawing artistic circlesregarding the Chinese philosophy and the Eastern art saying ofanalysis. Most important or, a painter not only wants to read, tolook, the multi- understandings, the multi- experiences, the multi-experiences build up, but also must to the work have the speech tohave to say, has the regard to have to express, the painter is speaksby own work. Regardless of is busy, whenever where, so long as ZhangWeiming stands in front of the picture document the hand grasps thepaint brush, he can maintain total silence, raises the train ofthought the heart, in the input words, through the words movement,transmits in the feelings the mood, in the mentality image. . By nowZhang Weiming landscape painting no longer was formerly that kind,uses the hearty crazy delapidated words to leak out the young artisticthought argument. The formerly picture confused for the person shakesto moves, violently flushes does not tame, stubbornly not enduredmelancholy feeling. The by now picture for the person byself-confident, was quiet, really also has the elusive feeling. Builtin that fine merit beautiful boundary still inundates ripples inEastern philosophy esthetics to dive Italy. He not only has theability to arrive describes the harmonious pure natural state, heexpresses Yu Yimo through the picture portrayal the deep macroscopicpursue.

Is not each earnest painters all may make has the artistic boundarythe picture effect. A painter's personal status and the style highground is does not need with the language description, testifiespainter's quality level by the work. Zhang Weiming by he that solidWestern drawing modelling ability foundation, with the traditional Chinesepainting skill hard training, in on the plane constitution papersurface, by the fine road place art exaggeration technique, the imageis expressing in the heart unworldliness north, instantaneous lets thefull load ink 意蕴 bright become has the drawing atmospheredignified landscape painting, perhaps is fulling south the drawingcultural interest sketch excellent work. Some people said him althoughpicture mountain big scenery, but has the affinity very much. ZhangWeiming in landscape painting that each leaves of grass, in water eachthin ripple, but also a little the ink Cheng Yi small teahouse and soon, all in is mad the rhyme vivid mountain big scenery, or in cloudsea 无际 picture, by its humanities concern performance beingscrupulous about every detail, also lets the person feel the veryleisurely sentiment is satisfied.

The China and the West culture and the esthetic idea, originally havebasic on the difference. Some models in the artists planned under theutilization can melt the meeting. Already becomes under the standardcondition in the Chinese tradition drawing, derives Western drawing the centerthing, the most death anniversary is imitates, "imitates" Western drawing canget up without doubt to the traditional Chinese painting estheticinterest opens decides the destructive effect. The success model haslike Mr. Li Keran's western drawing in light shade utilization duringtraditional Chinese painting creation words processing. .

Zhang Weiming thought that, Because in the cultural inside storydifference, causes in the western drawing and the Chinese drawingesthetic cognition in the final analysis respectively has thedifference. Has many elements is unable to stretch the rules. Althoughso, Zhang Weiming or unintentionally draws in depth of fieldthree-dimensional space processing just right. And therefore even morelets the person feel in the picture the ideal condition boundary to beextremely thought-provoking. This merely was a small example also hasmany Western drawing processing methods in his picture to help him to expressin the heart 意蕴.

If East and West drawing art will make a comparison in here, will haveto pursue the new moon to two sides cultures origin.

Looked from the Chinese culture primarily East philosophy that, theConfucian, releases, the road, the principle various theories althoughsets up the surface differently, the words are different, thedissertation respectively differently, but origins in the religion thewise scientific theory or principle distinguishes the nature. Moreovervarious theory Zong Yuanjun raises the earth vitality life for Easternnationality's day reason standard Shan Yushui to be the result of.This has caused source of ecology the Chinese drawing art is in, underthe Eastern philosophy and the Chinese culture soil multiplies, itwhich comes is has very strongly, 特立, drawing type.

The western drawing in the early time is by the practical nature, thepursue is real, the stress point is on objective physical imageattribute manifesting. Around Renaissance western mainstream drawing,is the painter and the natural physical image is the performance withthe relations which displays. Although the theme mostly is a religion,but the western industry science and technology development growsperceptibly the impetus culture to revive causes the drawing to exudelives with the Eastern drawing emphasized the humanist rich spirit isdifferent. In the study Western drawing process Zhang Weiming, has thecharacteristic which the Eastern writer friendly becomes aware, hecomprehends the western drawing therefore pursues honors the nature,is richly concerns with the material domain. The western drawingcannot separate with other cultural origins. The western drawing isfastidious by the geometry body analyzes the object shape. Inquiredinto the light shade, the color, and so on the principle uses in thedrawing, but also uses the similar photography technique the focalpoint perspective to set up the overall picture the ratio of middle tooutside, and founds the three-dimensional space in the picture theperspective effect. After continues the western drawing 17th centuryclassicism, 18th century New traditionalism picture faction principles, to the 19th centuryromanticism and the impressionism, the new impressionism (Modernism picture faction),the symbolism, to 20th century expressionism, the fauvism, the Cubism,the future host host will reach the faction, the performance sends,the surrealism, the abstractionism, and so on, specially somemodernist schools with latter modernist school drawing, although thesepainters the attempt will have the breakthrough in the work, butfinally more will walk from the drawing original intention, often isfar eliminated or receives the attack. Zhang Weiming after studydrawing and theory, has known very well the western drawingdevelopment process. He experienced attempts the massive classicaldrawing, New traditionalism picture faction the principle drawing, the impressionist school, inthe modernism drawing Modernism picture faction also had Kangding Si Jileng toabstract with the Mongolian Deli peaceful heat abstract drawing. Afterhe returns the Chinese landscape painting creation, has attempted thetrifle application which makes foreign things serve China. Certainlyhe also sees the western drawing in addition at the same time factor.He said that, "Along with the photography technique, the computer,digital science and technology image 飚升, the reappearance goesvisiting the view scene already is not the difficult matter. Western drawing therefore is under the impact, Western drawing originally is take the picturenature as the strong point, therefore is under the impact. Can not butprofit from Eastern and the African art drawing performance way, evenis compelled to move towards all kinds of analysis, the distortion,the unreasonable head exaggeration... ... "

With the Western drawing take the nature as this, stresses with thepure objective reality is different, Eastern drawing emphaticallyhumanist, the stress innermost feelings world feeling sentiment, paysgreat attention to the idealization, the thought. Zhang Weiming in theChinese landscape painting creation the humanities essential factoruse black color, painstakingly plans a business enterprise on the xuanpaper, through expresses feelings reveals to the creative picture andthe physical image, forms the thought-provoking artistic idealcondition.

Zhang Weiming in many years practice thought the East and Westtradition the artistic esthetic spirit, only can take in the realitythe esthetic main resources, but does not have its two sides to havethe compatible necessity.

Zhang Weiming saw the present science and technology developmentpresently leaves the Eastern culture, to spiritual demand supplement.But the Chinese philosophy is the Chinese drawing vision art lifetree.

In creation Zhang Weiming, although the gas calms oneself down attimes idly, actually often uses that □□ vigor the line, with blackcolor which advances freely and quickly, has roused the traditionalChinese painting art civilized spirit, wielded has written the Chineselandscape painting work which 独具特色.

Zhang Weiming goes out which from the East and West philosophy idea inpicture innate performance, will have named in his short-term creation"Taishan Wan Xianlou" a vertical stroke 8 foot big picture, in thecurving road surface will be worthy of looking at that in that ancientred wall surface and the forest 西画 with the pen brushwork effect,however other just right place actually has the pen pen which thetraditional Chinese painting will say to see the pen 留笔 mark thetradition not to use the pen essence. This work scene especiallynature, the picture greatly does not make widely known, the sceneryforest is lifelike, each level clearly demarcated. Side 深壑 thewater flows out in center scenery empty Mongolia, along was windingbut the under mountain road running water gradually to lose, hadachieved in the imagination drew up takes advantage of a situation butthe line, the here does not see in the picture the water actually toresemble hears to Shui Changhuan. Under close view that bright riversalso are left in the picture 角流 under. The whole looked like thewaterway curve is very beautiful, Lin Zhongdi travels beautifully.Emerges one after another incessantly the trees have increased thethriving spirit for the scenery, the mountain stone 峭立, if thestrong god leap spirit, Shi Fengli 寸草 also resembles in the windslowly undulates. The above dim far mountain in ancient constructs WanXianlou in the background, appears peaceful Dai male. In the picturesubject Wan Xianlou recounted all previous dynasties king's at Taishanancient rite of making sacrifices time magnificence, with Taishanhumanities culture historical testimony. In the mountain between thewater moistened the humanities spirit. This is goes out from the Eastand West drawing art Neo-Confucianism contrast, Chinese scenerypainter Zhang Weiming and his Chinese landscape painting work.
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