The Chinese landscape painting appreciation often is after the firstfeeling view impression, but enters second step by in the styleintroduction ideal condition, again thoroughly understands savors itsinternal strength 外展 the effect. The good big work finally givesperson's by spirit in vibration, is good 小作 circles the joyfulfeeling for the person by interest Italy which the heart 回味无穷.Just like the people said, through is pleasant and the leisurelyspiritual cultivation, also played has influenced the sentiment therole.

Therefore, the traditional Chinese painting appreciation is by thegas, Italy, the merit, the appearance master line, manifests its styleto savor with the spiritual height.

The traditional Chinese painting regardless of is the north mountainbig water, or the south slightly appreciates paintings, the high gradework not only the request has the solid drawing foundation of basicskills, but also must have various aspects, comprehensively arrivesthe tutelage dissolves into. Of if a picture could not achieveartist's high style level, is only a painter, but the painter alsomust have the certain degree gas of the artistic level and theartisan, is must have the certain degree the time. Certainly, theusual people always thought the traditional Chinese painting "thepainter" name how many has meaning of the derogatory meaning. Because"the artisan" gas of the person, some folk artisans' meaning, paintspictures does not have the mental vigor, or rigidly adheres a Yu kindof sequencing the form to be called the painter. Therefore has styleof the common custom. But and the painting world great master'ssignificance is completely different. "The painting world greatmasters" this name is does not have gas of the artisan. Is Gao Ge. Isis marking off industry profoundly, the picture is noble, itsreputation being handed down for generations.

Regardless of is studies the picture or to create, Taishan painterZhang Weiming always follows custom the elegant pro and con twoaspects to analyze, the heavy skill goes to in its vulgar standardlowly to savor, but wants natrium it with to put crazily investmentwith the thin merit warm, therefore in his blue and green landscapepainting work, the merit was thin also has boldly has used the colormethod. Zhang Weiming declared oneself stands on giant's shoulderwalks own road. Therefore he makes every effort in the work to makewidely known humanities the high style, forms everybody style.

In a scientific cultural great time, the people on own initiative withnot on own initiative have raised regarding the traditional Chinesepainting appreciation level and the demand sublimation and theenhancement. Therefore said must achieve the drawing specialized andthe collection, the populace appreciation all relative approval arethe very difficult matter.

But, dared the inventor not to fear since old times difficultly, forturned on a leaf of traditional Chinese painting epoch-making frontdoor, long-term unremittingly was seeking one kind of high gradedrawing objective point in the north and south cultural difference,still some people in. Taishan painter Zhang Weiming is a more typicalpainter.

He rigid walks since long ago in melts north and south drawing fineSui, but explores in the unremitting difficult journey.

May see in Zhang Weiming painting, in the drawing form America andChina, as far as possible achieved one kind extravagantly regards asthe heart effect of the visual conduction.

Creates in the group, makes every effort the space and time phenomenonand the ultra space and time reorganization condition, forms forenlivens on the paper the realistic shape. Is marching forward thecreativity bold attempt in north and south tradition drawing among.

The knowledge is all creations strengths. With argued in refutation intheoretically Zhang Weiming some reasonable arguments to do thoroughlyand carefully studies. For example may see in his painting, scenerypositive air for north scenery vigorous characteristic. But his thatcareful fine road birthplace god brushwork built has been possible

View may the scenery outwardly submissive but inwardlyevil-hearted effect. Indeed some person of regarding this names sighthat, "Zhang Weiming picture has achieved the superb effect."

Third/traditional Chinese paintings Zhang Weiming Taishan picture

Seeing of according to the proverb, "a side water and soil raises aside person" at the same time a side water and soil to multiply a sideculture art. However, is called in this Earth village the informationhighly developed time, the cultural art also unusual its primitivelimitation. But, "the person outstanding earth deities" 不可否认are the painter always have a survival primary condition standpointexistence. The early painting world has the north and south painter todraw division of the wind. Also once has started faction that was南北宗 saying. Also naturally appeared south north the placard on连书 the family difference of the tablet. Our country north andsouth geography natural state and the climate, have formed theirdifferent imposing manner, also has presented two kind of bearing andthe makings. Some because of pretty but 文秀, some because ofmajestic but power and prestige, some because of solemn andauspicious, some because of tiny and spiritless, some because ofvulgar and are ugly, and so on. Therefore had "the northern Chineseheroically, the southerner is pretty" a saying. Since Taishan ancienttimes has been stands in mainland China East carries, Taishan painterZhang Weiming converses for a long time with Taishan, he stands inTaishan this unique position, continuously in is seeking south in thetraditional Chinese painting and the northern performance inside storyculture, but accommodatingly with may not hold concurrent jobs toaccommodate the nature, but is not superficial is carrying in theexternal superficial fusion. Achieves mastery through a comprehensivestudy of a subject in the research mentality, to the south landscapepainting innermost soul may read from north landscape paintingconsiderable may the moral character. Extremely makes widely known inthe semblance but in north was mad in the cultural inside storyinsufficiently profound north landscape painting, obtains thedisappointment which the landscape painting atmosphere actually bearsdoes not have to savor. He on the peaceful summit, facing the HongKong cable TV director's inquiry, made the fine road north and southscenery I to see, he said: "Swims the world famed scenery, butobserves it from the scenery cultural type synthesis, I thought maydivide into four kinds:

First, may ascend. May ascending not be the small mound of earth, alsois not the desolate mountains barren mountains and untamed rivers.Above but should be big and high climbs has 登高望远, haspotential of the small world. If Taishan, Huashan.

Second, is considerable (looks). Considerable, climbs mountains,descends a mountain, everywhere the scenery change is on the waybigger. A step of scenery, and even is a scenery step by step. Iseternally changing, scenery infinite. If Huangshan Mountain.

Third, may swim. Among may swimming, the body enter, or the line, orsits, or plays, forgets to return. If Qingcheng, Mount Omei.

Fourth, may occupy. But the tenant, swims this boundary, just likeenters fairyland of the Arcadia during, unavoidably lives wants tooccupy the thought. If some people said that, ' is not willing to makethe deity, is willing to be the Guilin people.' Explained the Guilinscenery may occupy the nature."

When the reply north and south send analysis the landscape painting heby the original opinion, explains religious doctrine: "The northernChinese does picture atmosphere pound majesty. Initially view itspicture, makes one shock, greatly opens mind. But observes observesagain, looked looked again, repeatedly thin view it, actuallyunavoidably make person but actually appetite. Is not the picturegreatly empty, then is the performance scenery and the skillmonotonous, also unceasingly duplicates certain arid writingtechniques, the ink law and the color law, until builds the fullpaper, but also is beautiful its named ' the drop wind ', ' the penrhyme ', ' the modern feeling and the skin texture '. But lacks mayappreciate the aftertaste one side.

Picture of the southerner, initially view it, mean spirited, evenlarge-scale unfolds at the meeting in each kind, often causes view,leaks looked, neglects its work the existence. Not only is the pictureis small, but is the small theme, the small appeal, the small scene,scenery of the corner. But, you if are the calligraphy and paintingconnoisseur which has a mind, sets at it the living room, or in thefamily, sits down examines carefully, more looked more has obtained,until is unable to put down, also does not give up year to year hangsin the wall. Has Tibet hangs. Hangs the Tibet Tibet. Often altogetherenjoys it with the cognoscente.
Picture of the synthesis north and south, north picture suitable viewis not suitable. South the picture is suitable, view (initiallylooked) does not glance."

A mature painter, can in support its work in the essential factor,grasps completely supports makes the painting life the thing. Thecritics while appreciate the traditional Chinese painting work to beable earnest to discover critically punctuate, then maliciously judgessome him to think is in the painter and the work soft rib, often isunavoidably extreme. But theoreticians overweight in traditionalChinese painting theoretically emphasis, also caused the traditionalChinese painting to shoulder the overweight philosophy. Actually thetraditional Chinese painting took a Chinese art big class, has had itto be supposed to have primary forms the pattern. Recognizes thepattern along this foundation, Taishan painter Zhang Weiming rigidwords time and theory, rubs in the practice synthesizes he paintinglevel. In theoretically, demonstrates me and it others' differentopinion. In the thought his wisdom inquired into origin of the northand south drawing, diligently does not stop these aspects waters inhis drawing creation paddies, lets it grow blossoms ties the fruit.

Now this scientific cultural time, as a result of the culture,specially art, looks like are as if simply many to is deep. Actuallypublic figure which in the political circle, the enterprise, thebusiness circle all can have the high cultural level, carries on owncivilized in the cross profession culture the quality to extend. Somemayor once like this said that, "I pass listen to the others to saythat, Taishan has painter Zhang Weiming, the scenery paints picturesis extremely good, but I not spare a glance regarding this, I thoughtagain good also only is a Chinese landscape painting. But, when I holda meeting the period in the Shandong building when always passesthrough his that giant Taishan picture, I actually more looked moregets excited. Always wants to examine carefully again. From this timeon has spatially watches, more looked more thinks this not merely thesingle is has the imposing manner extremely good Taishan picture,inside this artistic image the cultural content is very muchsignificant." Also some entrepreneur said that, "The long time Ialways have had since very much empty on the seat in front of ChairZhang's Taishan picture, I thought it is that directs me 入胜, it isworth looking at, bright." Did not say for the time being which anglesthe people do comment Zhang Weiming from the landscape painting workthe length, we analyze in the his scenery drawing work melting ofnorth and south ideal condition flavor. Our artistic circles publicfigure pleasantly surprised saw in China, various professions peopleall the varying degree appeared higher savoring in the culturalappreciation. Should say is the time progress, is society'sdevelopment. But does not deny also has some high level importantdemonstrations, exhibits is only having the macroscopic big scenery,does not have the depth culture content the large landscape painting.These certainly were not swindled a painting therefore occupies in thesuch remarkable place, its reason also not only 偏门 bad idea butto, also some reasons are the selecting appreciation level are low.They often believed, so long as is north the big picture, is theimposing manner is broad. Skilled, is the words time.

Taishan "In Mountain Seeks Scenery" five traditional Chinese paintings2400x1200mm [ eight feet ] xuan paper this great bright picture

For many years Zhang Weiming has made in on the outward appearance,spiritual and the geography, geological, the landform examination andthe research to the north and south and the area south of Yellow Rivermountain and river, in the discussion has made the comparison, andalso has gone into seriously the different region vegetation change.He obtains a such opinion: A scenery painter deeply loves the nature,imitates the nature, the advocation nature, the natural each kind ofchange rule was not good, but absolutely could not become a completenaturalism, could not become the natural slave, the painter shouldforever stand in artistic and in the creation standpoint only then canhave the lasting vitality. In other words must take the work theartistic values. Furthermore a scenery painter although must have analone standard creation style, but cannot form the narrowindividuality principle pursue, like this often can form extremely,does not have the function dynamics absurd art. In Zhang Weiminglandscape painting may see the mountain big water to make widely knownthe individuality, but in sketch Chiangnan's painting rational evenmore human nature. In the picture is unfolding the magnificenthumanities spirit, causes the mountain and river by extremely theartistic condition, presents the incomparably inspired vitality. ComesTaishan the Hong Kong public figure to state clearly to Zhang Wei: "Onyou have worked as, original Taishan has not liked you to mark thatAmerica." Art comes from to from however to be higher than the nature.Therefore, naturally entrusts with the picture inspiration, he graspsin the creation the natural physical image human nature in a degree.The too human nature often can be separated from the natural physicalimage originally the condition, such landscape painting is cannotpresent the nature shape to be beautiful and the life elegantdemeanour. Certainly is not a each one in a hurry traveler, initiallyknows when some scenery can comprehend.

The long time on artistic path 探索者, realized since very much inthe practice, is separated from has the thing which the deep cultureaccumulates, blindly rushes at the same time is invalid. These notsuccessful all times and in all countries fusion, forms thenondescript thing is cannot achieve the joyful appreciation. Somemodels or the beneficial landscape painting art development, generallymostly is carries on the development in the traditional foundation.For example Mr. Li Keran's landscape painting, has utilized 西洋画the center light shade and the traditional Chinese painting dispersesa perspective to unify, and so on. The people in unceasingly carry onthe innovation since the ancient times, the thing in do not stopdevelop. The culture is not exceptional. The Lang Tao Sha verse goldof high-quality goods progresses after which by the culture does,already was arrives the classical personal status. To the utmostconsummates in this in the foundation, carries on creates again, i***tremely not an easy matter. Although so, is engaged in thisenterprise the people still could go seek the more unusual artisticcreation effect.

Kong Zi said that, "Savant Leshan, wise happy water." In thetraditional Chinese painting scenery painter regardless of is south,or the north, all "the happy water" forms idea of the minimum onlybeautiful life by "Leshan". Only the artistic formation lies in thepainter to place oneself to the artistic creation investment, but toit pursues the wonderful interest which in that scenery comes up ingreat numbers and from all sides, but also has between the allegoricalwords or gestures and the profound and abstruse principles unspecific,is distant, lives simply the interest. The Eastern Jin Dynasty bigpainter attends to "moves thought is wonderful" then is the painterwhich Joy says calls to mind meaning, but "" in painting wonderfulmost typical portrayal. Zhang Weiming gained in the scenery homologyown "moved thought" and "was wonderful". In this, he ecstaticallydeducts "south the northern Chinese by own aesthetic standard andartistic view to report" is considerable may high scale painting.Creates in a ten feet -odd large work in him for the Yangliuqingpublishing house publication picture album, on the one hand hasunfolded north scenery vigorous big view and the dignified grand greatspirit. On the other hand utilized the solid traditional Chinesepainting time to manifest in the magnificent sight to bear lives theappraisal the fine road and is careful. Therefore his big pictureTaishan's big picture, greatly but not spatial, will not disperse, notrandomly not monotonously in that kind of calm center life exuberant,will be extremely typical the beautiful idea to fill puts on in thescenery language artistic form. For many years he has achieved "lineof Wan Lilu" to form a line journey of in the mountain and river, andpersisted unceasingly massively studies the study. In the familyeverywhere may see his book, comes the friend which is a guest for itto exclaim in surprise, initially the future is equally said like thevisit, Zhang Weiming work room out of the ordinary. Studies causes himto have gas of the cultural quality high standard, the imperialsacrifices seat lets him purify the mind in understanding completely,line of Wan Lilu he has relaxed the heart, severely has practiced themettle, causes it with the scenery to the language to become the dearfriend the friend. These all have full manifesting in his painting.For example: Zhang Weiming work "the Taishan Good Prominent peak" (tenfeet two) take magnificent Taishan as a main body, periphery grouppeak between the cloud sea is contrasting the prominent peak. 无际the sky white clouds numerous cotton wool, the partner reveals thetrifle blue color to be distant. Let the person daydream, lets theperson sigh for view. The work "Blue Rosy cloud Unusual brightness"(ten feet two) appears god dense Dai to go against the valuable palaceblue rosy cloud ancestral hall to be situated in the peak. The redocher wall ash tile, singes the smoke to rise the fragrance. Distantplace wind You Yundong, day sea boundless, in the blue sky is walkingbunch of white clouds, builds the Taishan mysterious unique landscape."Taishan Sunrise" and "Dongyue Rising sun Chart" (for ten feet two bigpicture) although identical theme, but the expression means aredifferent. "Dongyue Rising sun Chart" has used the traditional Chinesepainting words time which arrives time, wears the strength to displaythe Taishan precipitous to rise east the rising sun the grand. Theclose view blue tree density has sends, running water murmur. Centerthe scenery most has the heroic spirit, the great Chinese spiritwaited and saw in Taishan's positive position, obtains the full art tomanifest. But "the Taishan Sunrise" is different with the precedingwork, displays Taishan 极顶 with to search the coral to stretch outin the vast like smoke sea, digs outside the first day north, alsostraight refers the day. Occupies the picture 1/3 sky, some as soon aswipes the cloud 灵动 the shape to let the person see the nature islifelike vividly on the element paper. "In Snow Looks Taishan" (tenfeet two) to fill imperial sacrifices Italy the silence, the coolworld quiet center ferments in ten thousand peaks to contain GeTianwai the true feelings to be solid. This picture although displaysis the Beishan Mountains snowscape, but exquisite, was gentle, hasbought in south the scenery literary style, thought-provoking. "ThePeaceful Mountain spirit Xiu Chart" (ten feet two) in the mountainroams low cloud this work with "To be as stable as the rock ofGibraltar" (ten feet two), "the Taishan Male Xiu Chart" (ten feet two)has melts art which into south the scenery meant to manifest.Thereupon appeared sincerely although, grand but 刻版, has not been sad, although moistened, is transparent but is not simple. Thestatic state center has the deep tranquil non- language to recountquite the same as that, is tranquil, the auspicious facial expressionreappearance

Serial number: 015 "Early morning Rhyme" one [ traditional Chinesepainting ] approximately 700 X 700 mm (to opens) Zhang Weiming to do

Serial number: 016 "Early morning Rhyme" two [ traditional Chinesepainting ] approximately 700 X 700 mm (to opens) Zhang Weiming to do

In the Zhang Weiming banner big picture also has most has therepresentative two works is "Far Looks Taishan" (ten feet two) and"岱庙" (ten feet two), former vast sky lingers deep mystical bluesky. The water plant beach distant place has a tree 木立 in to bedistant 阡陌 between on. The Taishan community unexpectedly issituated the distant place, that is a world on real fable, walked -Taishan from the ancient times.
"The Taishan Precipitous", "Rain Excessively New Spring Leaves","山高水长" is eight feet sets up. Moistens but the transparentblack color, is strong like has the tension to outline chappedsscratches, just right adding details, as well as other originaltechnique unified wholes have deducted the mountain big water,describes it the too beautiful to behold picture scenery, the qualityhigh standard, looks but does not tire of, is worth the aftertastejudging.

The painter through the traditional Chinese painting main bodylanguage, manifests the painter individual the quality, the tutelageand the wisdom. Marks off 同道 Mr. Wang Shuxia in to write thecommentary for him to say that, "The great Ming Huazhong each partialwords, do not have not to fill the infinite life and the allegoricalwords or gestures." He achieves the traditional Chinese paintingcarrier, is sensitive, extremely Yi Fanbian xuan paper, unreliablymoves the writing brush with the inspiration to transport the ink, theload bearing favorable balance of trade likely outside vivid gasrhyme, builds quality Gao Ge the artistic form aloof scenery excellentwork.

Taishan painter Zhang Weiming although passes through many famedscenery south, the picture crosses the river place scenery and so onthe area north of the great wall, but he truly is a Taishan's faithfultowerman. His drawing element is decided by Taishan. Taishan may beconsidered as thing valuable day China, the person outstanding earthdeities. Says with Zhang Weiming speech is: "Falls the foot in this bythe green hill according to screen geomancy 宝地 south, does notlose does not lose." Also is carries in the China crowd crowded east,the north and south two sides all may concurrently be. The green hillsurrounds the heart, the green water moistens works. By the example is"the world natural culture and the world geology park tertiaryinheritance" Taishan, attractively raises a generation of person byits brilliance to be outstanding, the attraction innumerable kingspowerful official, the writer literati, the numerous crowds peopleLinshan worships. A Taishan like Zhang Weiming landscape painting name"Shan Feigao shui Feishen", Taishan elevation 1,545 meters, but itsince stands unflustered walks to the antique sea today. Its waddingextends the Qi and Lu earth, west bends down the North China greatplains, east looks into the distance the sea, the north and south hasYellow River, 泗水, Wen River and so on. It has pulls out potentialof the direct access to the highest authorities, but also has holds upthe day to hold posture of Japan the. If the ancient says: "AscendsTaishan but the small world" "to be able when insults 绝顶, as soonas looks at the numerous mountains to be small". This kind of naturalgood fortune steady and lofty and is aggressive, by the people wascalled it passes on "the god mountain" for may exorcise 降妖,Taishan 石敢当 is one of its heroic. Taishan's landscape comes fromto nature 鬼斧神工. Painter Zhang Weiming did not know how manytime passes through this rugged mountain road, 深壑 and is loftysteep in that glen, thousand 仞 sets up in the middle of the wall,the towering mountain peak is seeking, is exploring, "imitates thegood fortune" to form artistic in his feelings the words expressingfeelings.

With Taishan is partner's at the same time, by the north scenery grandmagnificent sight, imposing sincere, with overpowering momentum and ispicturesque. South of in the side scenery attractively comes alive inaddition, Li Run passes the crystal calmly, Wen Quqi is picturesque.Zhang Weiming big picture Taishan, the key lies in "the picture".Except the words technique outside, is the picture imposing manner,draws the mountains and rivers greatly, the original earth isbroad-minded, and sets up breadth of spirit of the world. Transmitsthe Chinese by the north landscape painting - the China nationality tohold the nature.

Zhang Weiming sketch Chiangnan, the key lies in "". Mountain, water,culture.
"" For the appreciation, judges, the personal status, passes "" maythe daydream serial.
"The picture" for view, the direct sense impression, regards touches.From this may attain surprising to behold and has the straightforwardimpulse the effect.
Zhang Weiming each picture decides all is using a ink to manifest theheart sensation and the overall spirit. Among was mad the rhyme inbuilds in the process to extend, regardless of partial or overalleffect, all in the rhythm line, the flexible spot ink and chappedsscratches proclaims dyes constitutes has the vigor the note, just likea tune either is exquisite or the grand music chapter. This process isa painter purely invests the creation the artistic boundary process,is process which an artist spirit boundary sublimates.

2006.12 Hua Wei