 The traditional Chinese painting life source comes from to the natureand the reality, but supports the painting the skeleton is the wordsskill which the painter grasps. But, not allows to question, thetraditional Chinese painting vitality comes from to painter'shumanities tutelage and the humanities spirit which forms in thepicture. The painting had achieved "was mad the rhyme is vivid" theeffect, can express some kind of thought-provoking form 意蕴 to callit "the ideal condition", under author's thought condition, meetsnaturally along with the viewpoint, reveals the significance and thespirit with the standpoint.
Speaking of the traditional Chinese painting work, the appraisalviewpoint cannot affect the work whether has the vitality and thestate of mind. Taishan painter Zhang Weiming in the traditionalChinese painting esthetics pursue, implements the human nature withnaturally to coincide friendly harmonizing, in the tutelage the demandbuilding store height localization, capacity relatively big whichadmits. He does the endeavor, its result is on its work theconsiderable knowledge. May see from his landscape painting work, thework has by the bright modern age, and concurrently repairs by thetraditional idea spirit honors permeating. Regardless of were hadachieved the quite fine road perfect past tense, perhaps the presententers the new turn of rationality and the fervor caused heavy lossesto the condition, as for the future, will give in the great analysisand the forecast may see, the painting because its Eastern philosophyfirmly continued the foundation, hopefully will appear along with thetime transformation by the magnificent artistic new look. And will beable further to express, the living vitality intensity and center thepicture country overall cognition, has the national characteristic thephilosophy spirit 透入. Looked in its drawing idea aspect that, mayfrom this obtain, the Chinese landscape painting high level stylefirst is needs to look, the painter is has the certain quality, withlevel scholar and thought. Each time mountain painting then may analyze in Zhang Weiming in, tooka traditional Chinese painting painter wants to walk these processes,only then can enhance its painting to has epoch-making, the lifevigor, the humanities on highly, cause it to have the traditionalChinese painting unique quality, achieves thought-provoking, willobtain from now on artistic meaning, exuberant vitality and state ofmind power.
Zhang Weiming landscape painting imposing manner although is broad,but the picture mostly is calmly does not have rain nobody. Actuallycan explicitly make the person to feel that, Or the gentle peacefulmind, imperial sacrifices Italy is full; Or calm, is grave, sinkssteadily, causes the person to experience Buddha to say the Confucianmanages; Or numerous green luxuriant, 彰 writes after is deep; Or Runsilent, person in among like dream. The steep work can see in his thatShan Junshi in, mountain once 风吹雨打; If "Taishan Wan Xianlou"and so on work: The water once the calendar was rough but 歧 thetune, the rest 向前流 did not drip; The picture is in the picturethe person, because may see that Shan Neishui the spring livesnumerous, the hibernation, the hot summer accommodates, fall dignityand plentiful. View may the heart enter a country, the feeling pictureand the nature and, view interest Italy which ponders by the scenerybetween is pleasant, also quiet disposition. Therefore some person ofplays said, on Zhang Weiming has worked as, genuine Taishan certainlybeautifully becomes this. A proverb spoke of the family: Art comesfrom the nature, but is higher than the nature. This is the speechsays the traditional Chinese painting life vigor in one.
From on the other hand says, actually also on nobody painter's workingas, China truly has the humanities spirit the drawing in particularlandscape painting, originally is the picture ancient and modernmountain, four time mountain. But so-called was swindled possibly ismerely is took an in a hurry traveler 旅游者, 一晃而过 in somelimited very great time compartment, very difficult truly tounderstand to four o'clock changes natural charm.
National level of screenwriters, playwright Mr. Zhao Baoli said that,"Reads Zhang Weiming the picture, I felt is life moving restlesslywith the thought intelligence."
Zhang Weiming early painting Taishan seeks in Jing Xihua, may see isgood at which but the potential painstakingly grinds at that timestill at being also young by Zhang Weiming the interest, the forcefulbrushwork wielded on a bold frantic cavity heroic feelings, he usedits young life vigor the heart in the romantic ideal, with the aid ofthe full water ink, fell in torrents in the scenery 意蕴 between.Decisive, firm and resolute not any distracting thoughts, actually thepen pen gave birth in the silent heart to state the language. His thistime painting how many also has the life stage the naivete. The fervordares to proclaim, words strength vigor straightforward, but theflexibility is insufficient, but also owes maturely.
"To knowledge Mr. Zhang Weiming is an extremely rich subversiondisposition person." Guarantees benefits gentleman to say.
Is engaged in drawing art many years painter as to say, knows wellregarding the drawing technology and the theory certainly is not avery difficult matter, what is difficult is first must realize is notthe simple description with leaks out to the drawing. Next must repairin this process purely becomes aware really, only then meets the godto awake but industry to reveal.
The traditional Chinese painting life vigor in it two, must talk aboutits individuality. If has not dared carries on the thing conventionand the numerous regulation holds true has according to the subversionspirit, is impossible to discuss its creativity and the originalindividuality. When artistic itself is creativity carrying on,regarding scrupulously follows the convention, does not seek thedisplay, only can call it a picture, very is also far to the painterand artist's distance. Speaking of the drawing art work, hasreappeared the bright life, was not looked a person was picture many,but was said, if did not have the subversion the viewpoint, could nothave the creativity the individuality characteristic, then markedcannot have the touching vivid gas rhyme, also could not revealsuperficially burnt vitality.
The traditional Chinese painting picture vitality 彰 reveals three,is for achieves the skill tensity the few ratios nature. Some peoplesaid that, "Zhang Weiming inborn is paints pictures." Regardless ofthis person is praises is censures, how Zhang Weiming completelydoesn't care about the others to say, he walks his road, draws hispicture. He silently diligently trades does one kind of rare energy.He once in nobody urging situation, continuously several days daytimesworked at night the picture, studies, painstakingly thinks, orpainstakingly planned a business enterprise his fine arts website. Buthe is a never satisfied person. Once, he had asked said his websitedoes the very specialized young people said: "Were you yesterdayacademic society make the homepage? If is, you certainly can goodwhich does compared to me, does specialized. Because yesterday hasbeen dissimilar with the day before yesterday." He is the meaning is,the modern science and technology development speed is changes witheach new day, "yesterday" network compared to "day before yesterday"perhaps also had a big unevenness development, is young very quickwhich can grasp. Drawing aspect also same, in grasped the drawingtechnology aspect in the detachment condition also is the today we areno longer as we have been. Because individual body and mind lasted, hecommends the manner to other people's achievement also Chang Bao, hebecause bad praises in front of, often misunderstands him for thisalso some people. Actually, understood he the person knew, so long asthe others have the result, he the general meeting is applauds behindthe litigant. He also can silently study the study except the praise.He draws the others the strong point to be able to transform in theinvisible ideology, does not do brings the principle painter, allstudy comes the collection which can deduct in the savings insidestory.
About if a painter repaired outside the picture honors the time, andby its own divine and wonderful spirit own life condition activation,then the traditional Chinese painting esthetics idea could richlyreappear by the source the creation among.
Traditional Chinese painting art vitality most important is about "thegas". Natural physical image must describe which in the traditionalChinese painting, is needs exactly to work with comes alive on theplane xuan paper, completes by the artistic form to admit the processfrom the author to the view thought, only has like this only thendiscusses on the painting power. If "were mad the rhyme is vivid" aword to carry on the explanation the speech, may like this: Thepicture was mad the live rhyme moves 漫流, formed has beenharmonious, the silent victory since birth rhythm. Therefore had thebilateral harmonious consciousness to create and to feel thetraditional Chinese painting America of the ideal condition.
The China religious philosophy Confucian said Buddha principle ZhuJiazhu discuss, all has debates knows the nature its esthetic centraltruth to elaborate understood. Various theory dashes melts themeeting, is melting can hit is having the Chinese esthetics highenergy. The artists and apply its spiritual formation the artisticdomain in the category.
Center the picture tradition philosophy and drawing art has the closerelations. But Chinese philosophy source to religious elaborationtheory. The moral tutelage is the position repairs the knowledgespiritual cultivation, the spiritual cultivation must be mad thesublimation. Repairs the knowledge to be able to enhance the natriumcosmic inventory the ability. And "the gas" achieves mastery through acomprehensive study of a subject its subjective on gas of with theobjective nature in the work forms traditional Chinese painting art"to be mad the rhyme is vivid", then had traditional Chinese paintingart vitality marking. The traditional Chinese painting "was mad therhyme" is the traditional Chinese painting art esthetics center.Proposes from Southern Song Dynasty Xie He 六法 discusses "was madthe rhyme is vivid" puts on the first place, straightforwardly hasbeen clear about in the drawing art its importance.
In the near future will create the product by Zhang Weiming theChinese landscape painting Taishan series and so on to look that, inthe big picture the vitality extremely strongly will be prompting theChina spirit of the age vitality. Outside the picture he deeply knowsby heart Book of Change theory: Sits in meditation for a long timeamasses wealth by heavy taxation really was mad, after graspsprinciples the luck to the words, reveals true colors on the paper,forms a thought-provoking gorgeous picture. Therefore said in thetraditional Chinese painting the gas also says basis of thetraditional Chinese painting life.
On is esthetic in Chinese characteristic art emphasized "the heart""the gas" "" the principle "and" "becomes aware" by "the day", this istake China's traditional philosophy as the basis. Among "the day",Taoism is "road of the nature", Zhuang-zi said under its returnnatural basic thought instruction; "The world has greatly beautifullydoes not say, four o'clock have clearly method does not discuss, themyriad things have Cheng Lier not to say. The sage, America of theoriginal world reaches principle of the myriad things, therefore tothe person inactivity, the big saint does not do, view says to theworld." "The heart" esthetic center stressed in the Chinese philosophythat, heart Yuan Yiwu, is subjective and objectively coincides melts.Had the life in the artistic shape creativity performance and thepsychic.
Regardless of is the Chinese drawing or the Chinese other class of artall under the Chinese art esthetic principle, to "was mad rhyme" thesublimation for establishes a new school national esthetics view. Ismad life of for the Chinese drawing, 无气 the rhyme but draws notvividly, does not have the vitality.
"The principle" certainly does not take in the middle of the Chinesephilosophy esthetics for many posterity, however has the extremelyimportant interaction function in the philosophy esthetic conceptNeo-Confucianism with other theories study. "The road" in has "Americaof the original world in the Taoism theory to reach principle of themyriad things." Argument. In Neo-Confucianism "principle series tenthousand principles, Wan Ligui a principle." Is the dialecticalunification theory. This theory has fully manifested materialismdialectical view, among "Wan Ligui a principle" is theNeo-Confucianism theory extends the deep viewpoint. In "to theprinciple melted the principle" "by the principle festival sentiment"and so on in the artistic principle manifests the Chinese estheticswise to debate spiritual the application. Saying of theNeo-Confucianism is esthetic in the drawing art has the function whichother theories cannot be substituted.
In the Chinese tradition philosophy and the artistic positionesthetics thought, "and" will be "is harmonious". So-called "thebeauty gathers one" the emphasis person and the natural harmony, theperson and person's harmony, the person and the overall society'sharmony, take "and as is expensive". Also "center and for isbeautiful" in the Chinese drawing the traditional philosophy position,takes only the beautiful thought pursue, because this theory fusionsettles in the thing contradictory unified and the opposition unity.This dialectical theory has achieved the artistic esthetic thoughtnoble boundary.
Zhang Weiming in has a thorough understanding but manages after theoryof the diagnostic method which the principle, melts the landscapepainting style and the form can carefully examine in the spiritualstratification plane high place. Sits in meditation after him "becomesaware" the imperial sacrifices heart for a long time, although insidethis grasps principles some people, even travels together has does notunderstand or the misunderstanding, he or persisted this kind of usedirect sense impression the thought, the imperial sacrifices enterself- with free condition, this is carries on own thoughtconsciousness the spiritual activity the experience way. The zenBuddhist studies thought that, "All law all live from the heart." "Theheart however grasps principles", was explained among "became aware"unimportance. But is engaged in the drawing art the person does nothave the perception, cannot produce the unfamiliar road industrycenter to lead a pious life the function, does not have thecreativity, the work not to be able to have the bright individuality,therefore cannot have the vitality.
Although the modern people already are survive in under the worldlinguistic environment condition, but the traditional Chinese paintingstill in its ingrained national fine inheritance, let the lifemaintain the unique brightness, its spirit still was displaying theimmortal artistic power in the exuberant vitality.
2007.3. 
"Taishan Blue Rosy cloud Ancestral hall" greasepaint chalk/Taishan Artist Zhang Weiming picture |
中 文
In the Chinese landscape painting flashes before biotics and By spirit
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